Louise Brooks And The Flapper Era :: essays research papers fc

The flapper era was the conviction of the worship of youth (pandorasbox/flapper). Flappers were women of the Jazz Age. They had measurements of pre-adolescent boys, with no waistline, no bust, and no butt. Flappers had shortsighted hair timid no longer than chin length, called bobs. Their hair was oftentimes dyed and waved into flat, head-hugging curls and accessorized with wide, soft headbands. It was a new and most master copy vogue for women. A lot of make-up was worn by flappers that they even practice on in public which was once unheard of and considered something done solitary(prenominal) by actresses and whores. Flappers wore short, straight dresses often covered with beads and fringes, and they were usually worn without pantyhose. Young flappers were known to be very rebellious against their parents, and society infernal their waywardness partially on the media, movies, and film stars like Louise Brooks (Szabo). Louise Brooks was a big part of the Jazz Age and had a lot of bend on the women of the 1920s. Being a film star with a great, original personality she is known for being one of the most extraordinary women to flummox forth the Flapper era. Her sleek and smooth miens with her signature bob helped define the flapper look (pandorasbox/flapper).On November 14, 1906, in Cherryvale, Kansas, Mary Louise Brooks was born. She had two brothers, one sister, and parents, Leonard and Myra Brooks, who was a habit maker and pianist. In 1910, Brooks performed in her first stage fiber as Tom Thumbs bride in a Cherryvale perform benefit. Over the next few age she danced at mens and womens clubs, fairs, and various other gatherings in southeastern Kansas.At ten years old she was already a serious dancer and very more interested in it. In 1920, Brooks family moved to Wichita, Kansas, and at 13 years old she began studying dance (pandorasbox/chron). Louise Brooks had a typical education and family life. She was very interested in reading and the ar ts, so in 1922 she traveled to New York City and joined the Denishawn Dance Company. This was the wind modern dance company in America at the time. In 1923, Brooks toured the United States and Canada with Denishawn by train and played a variant town nearly every night, but one year later on she leaves Denishawn and moves back to New York City. Not too long after her return, she gets a job as a chorus girl in the George lily-white Scandals.