Narmers Palette :: essays research papers

As Egypt grew and flourished to a powerful and rich nation, itleft behind for todays historians, clues and artifacts of a oncedistinctive, well established and structured society. Proof ofthis is clearly represent in top executive N sectioners pallet. This palletteshows historians the union of Upper and Lower Egypt, which signified the beginnings of a civilized era centred around theNile. The unification of Egypt occurred around 3100 B.C., to a lower place theFirst Dynasty of Menes(3100-2850 B.C.). This age is commonly knowas the Protodynastic era, which is known for the face ofa firm political structure of the land which was unified in thehands of the king. The glorification of Lower and Upper Egyptuniting was portrayed in Narmers Palette, which was found in theancient southern capital of Hierakonpolis. The general fly the coop ofNarmers Palette was to commemorate a victory all over his human foes. With Narmers victory, the Palette as well as depicts his successfulclaim a nd conquest of all of Egypt, thus establishing unificationof Lower and Upper Egypt under his rule. The dominant themhowever, is the victory of the god be over the forces ofevil and chaos.The Narmer Palette, while depicting several social aspects andtendencies of the Egyptian society, also reveals and emphasizestheir structured positions within a hierarchy of command. Bothsides of the Palette reveal, at the top, the name of king Narmer,which first documents, in the written archives of Egypt, that we noware dealing with a civilized state. When the scribes wanted to bring out king Narmers name, they placed a small fish called a narover a chisel, pronounced mer. This combination of the wordsgave them Narmer. The Palette also depicts king Narmer(probablythe legendary Menes) wearing the Red flower of Lower Egypt and theWhite Crown of Aphroditopolis, which represented Upper Egypt. Since Narmer had claimed victory over the northern king, thus graceful the first Pharaoh, the unification o f Egypt was completed. The reverse of the Palette portrays Narmer clubbing a foeman. Narmer is thusly followed by his foot-washer, which should be notedis shown on a smaller carapace and standing on a separate file awayline, as suited to his relative rank and position in Egyptshierarchy. Narmer stands before the supreme sky-god Horus, of whomNarmer is also an incarnation, represented as a falcon with a humanarm holding a papyrus thicket.On the obverse of this palette, Narmer inspects a battlefield confining Buto, with several decapitated bodies of his foemen. Narmeris then preceded by his four standard-bearers and his priest. Themiddle register of this highly organized recording shows two long-